Nailed it!

October 9, 2011

I looked forward to my Artist Talk last Thursday evening at the Brattleboro Museum with a mixture of excitement and dread-mostly excitement. The process of creating and organizing a slide show that would best allow me to explain my process was daunting but valuable. Being forced to articulate my somewhat meandering creative process was a healthy exercise and actually gave me some new perspective on my work.
How and why does a series get started and continue? What about cellular imagery fires up my imagination? How do I put these babies together?

Before the talk-me on the right.

Before the talk-me on the right.

It was a full house which made me happy. Once I got started, I relaxed and was able to enjoy the experience! It helped to get a few initial laughs (you’d think I was a stand up comic-but that’s how I was raised…humor is important).

During the talk

During the talk

Lots of great questions from the audience which included students from a local college fiber arts class!

Viewing the exhibit

Viewing the exhibit

So very pleased with the whole experience!

Come see me and my work at the upcoming Studio Tour!

September 10, 2011

2011 Brattleboro West Arts Studio Tour
Saturday,September 24 – Sunday September 25
10-5
I will have newly framed small works as well as professionally printed luscious giclee prints ready for framing and my newest piece (just finished!).

2011 Brattleboro West Arts Studio Tour

2011 Brattleboro West Arts Studio Tour

I look forward to your questions and comments and will have short demos throughout the days.
Please come and support the arts! For more info:

http://www.brattleboro-west-arts.com/brattleboro-west-arts/2011_studio_Tour.html

Irene stops by and she isn’t very nice

August 30, 2011

After a hairy evacuation on Sunday morning with my husband and 2 dogs, I am now temporarily living with friends. Our house is fine but the 3/4 mile dirt road is totally gone. Many here in Vermont have it much worse than me. My husband and I take turns reminding each other that we’re safe, have jobs, an intact house and so many wonderful friends reaching out to help.

my road 5 hours after Irene's deluge on Sunday

my road 5 hours after Irene's deluge on Sunday

It may be many months before we’re able to live at home but I’ve already made tentative plans to hike my studio out piecemeal and relocate for the winter at another friend’s space. Art will survive!

My wonderful crit group-I’m so very lucky

July 23, 2011

I’ve mentioned before that I am fortunate to be part of a critique group with four other members of Brattleboro West Arts. My fellow members Steve Lloyd, Naomi Lindenfeld, Walter Slowinski and Petey Mitchell are all inspiring artist in their chosen media and we’ve established a sense of trust and safety that needs to be at the heart of a critique group.  We meet about monthly and the focus is on one of us at a time.

Petey, Steve, Naomi and me

Petey, Steve, Naomi and me

This time we met at the Brattleboro Museum to discuss my solo show. What a perfect opportunity. My 10 newest pieces all beautifully hung and lit and these talented artists committing several hours to asking questions that really challenged me to articulate my creative process and then carefully listening to my answers and sharing insights.

Petey, Steve, me and Naomi

Petey, Steve, me and Naomi

I saw connections in my work of a few years ago and now, how I like to circle back to forms and lines that I had been in love with making in older pieces and some ideas of where to move forward. I also re-connected with the place in me that has been so inspired by cellular imagery and why it resonates with me so deeply.

Must have been a hard question.

Must have been a hard question.

I learn so much from this group. My thanks to them.

Drumroll….

July 17, 2011

The opening of my solo exhibit at the Brattleboro Museum was terrific! Lots of people, lots of wine (I only had one glass)  and lots of  intriguing questions about my art. The opening was for members or invited guests but there were easily several hundred. Brattleboro is a big art town.
The first thrill was arriving at the museum to see that they had chosen a HUGE blowup of a detail shot of one of my pieces as the show announcement on the outside of the museum.

 big sign and friends

big sign and friends

That’s me in the middle flanked by my husband and friends. I’m curious if I could get possession of that sign in October when the show’s over. Any ideas what to do with it?

I truly enjoyed all the interaction with folks and having to articulate answers to questions like: “What draws you to using cellular imagery?” or “How do you begin a piece?” or “Are you someone with enormous patience?” (no).

people viewing the show at the opening

people viewing the show at the opening

I tried to be present with each person who took the time to talk to me and I think I was mostly successful.
I’ll be giving an Artist Talk at the museum on October 6th at 7:30 (mark your calendars!). So that’s the next thing to stress about…

Hanging the solo show

July 12, 2011

I just finished helping with the hanging of my 10 pieces at the Brattleboro Museum and Art Center. Hanging at a museum apparently involves more math and perfection than I can muster.

hanging the show 1

hanging the show 1

Here I am with the exhibit coordinator Margaret trying to understand the complicated steps as explained by the curator, Mara. We tried hard but still screwed it up.

hanging the show 3

hanging the show 3

hanging the show 2

hanging the show 2

Luckily my wunderbar husband, Geoff was there to make it work.
Friends stopped by with helpful suggestions and encouragement. Notice the sticky roller in my hand.  Since I failed at the actual hanging, I assigned myself the important job of making sure my cat’s long white fur wasn’t also part of the exhibit.

hanging the show 4

hanging the show 4

It actually does look amazing all hung and I’m very excited for the Friday opening!

 

Back in the saddle

June 29, 2011

About a month ago I whined and fretted about my creative block…well I’m back! Despite a constant (wonderful) revolving door of family visits, I stole small moments to peck away at the new piece on my design wall.

I think when time is short it’s easier for me to stop dithering and start fusing.
Here’s a snippet. The colors are wrong somehow-there is NO pink in this piece! It’ll be a bear to photograph when finished.

work in progress detail

work in progress detail

Now I find my mind is percolating with ideas. I need to remember this and next time the creative block panic starts…trust in the process.

Vermont Quilt Festival

June 16, 2011

I’ll have five pieces (including this one) in a special exhibit at this year’s Vermont Quilt Festival called The Art of the Quilt.

The Spaces Between IV

The Spaces Between IV

Here’s the official description: “The Art of Quilt” showcases the depth and breadth of work being created today right here in Vermont. In 2007 Vermont’s Shelburne Museum mounted an exhibit titled “Contemporary Vermont Quilts.” The work of Susan Balch, Judy Dales, Christine Fries, Marilyn Gillis, Eliza Greenhoe-Bergh, Karen Kamenetzky, Alexandra Nickerson, Carlene Raper, Judith Reilly, Mary K. Ryan, and Pamela Druhen put  the public on notice that new things were happening in the quilt world. Where are they now? What are they doing? We have invited these artists to share their 21st century exploration of quilting as a medium.”

If you are going to VQF I’d love to hear what you thought of this exhibit.

Leonard Ragouzeos workshop

June 8, 2011

Last summer during the Rock River Studio Tour, I visited Leonard Ragouzeos‘ studio and watched fascinated as he playfully sloshed ink on  shiny paper using unconventional tools to create subtle monochromatic values. But I also noticed that this technique caused the wet ink to form intricate visually interesting organic/cellular textures. I was blown away and wanted to push him out of the way and play with this new toy!
Well, last weekend, I had the delightful privilege of taking a one day ink on paper workshop with Leonard. He uses this medium (he invented) to make gorgeous  large scale representational monochromatic paintings like this:

Europa

Europa

and this:

Leonard Ragouzeos creating

Leonard Ragouzeos creating

Using ultra smooth Yupo paper, water soluable ink, spray bottles of water and diluted ammonia, brushes, squeegees, blow dryers and brayers,  I happily played for 4 hours. I was not so successful (an understatement) at trying to control the ink and create representational images BUT I had a blast experimenting with creating small scale mini-universes with amazing depth and organic texture and line. These scans don’t really capture it…

ink 1

ink 1

ink 2

ink 2

I have a fierce hankering now to try to use the wet ink patterns on the paper to make monoprints onto fabric and even bought a pad of Yupo.  Ink comes in lots of colors, too! Anyone out there have any suggestions to help me be successful?

 

got art?

May 26, 2011
got art?  15 Artists-3 Days

got art? 15 Artists-3 Days

If you’re anywhere near Brattleboro, VT or coming by for the Strolling of the Heifers parade in a week, plan to walk around the corner after the cows go by to this fantastic show I’m part of. I’ll have 14 pieces- including 7 newly framed- for sale. Also see the work of 14 other innovative artists. Only up for 3 days!


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