Archive for the ‘Artwork’ Category

A bit scary but very exciting

January 27, 2012

I’ve been invited to submit a proposal for a commission to produce a VERY large installation for a new healthcare facility.

This is new territory for me-both in regards to the size and the process. Initially I felt intimidated by it all. But I’m pleased to report that I’ve shifted to a place of loving the challenge!

After spending hours looking at aerial maps of the area AND looking at cellular level images of the healing that takes place at this facility…I’ve started working on sketches that integrate both. Aerial views of course have similar lines, patterns and organic shapes as what you see through a microscope. So it didn’t feel like such a big leap. I’ll be proposing a triptych that includes both views and hopefully ties them together compositionally.
Here’s a peak at a very early loose sketch:

early sketch-detail

early sketch-detail

Whether my proposal is accepted or not, this has forced me to stretch in a new direction and I’m grateful.

 

Bad timing-my iron just died

November 25, 2011

I didn’t know an iron could suddenly die. But it did right in the middle of a lovely afternoon of fusing down many many many small handcut silk pretend letters/symbols/code.

Pretend letters/symbols/code

Pretend letters/symbols/code

Work on this new piece, You Are Here, has been flowing. Lots of technical challenges that usually really throw me but not this time! The silk and I were one.Kumbaya. Cutting and fusing and ripping off and re-fusing while listening to my favorite podcasts…

You Are Here-fusing the little bits

You Are Here-fusing the little bits

…and then-a cold iron.

But I’m still happy. I’ll buy myself a new one tomorrow. Meanwhile there are hours of stitching to be done.

Getting to Gray

November 15, 2011

No not my hair, it’s there already.

My new piece, tentatvely titled “You Are Here”, is predominently made of silk gauze dyed to various values of gray. There will be some saturated color at the end but right now my eyes are adjusting to sometimes very subtle variations in gray. I originally acid dyed a  batch but have found I need more of the darker variety. So I have been Mickey Mouse overdyeing for days using old containers of black Setacolor and fabric paints.

Dyed gray silk drying on a rack

Dyed gray silk drying on a rack

A messy business indoors. And it is HARD to come up with just the right nuance of gray!! It’s too greenish or purplish or bluish. Of course it all looks the same wet so I have to let it dry and then iron it to see the results. I tried drying still damp silk in the dryer…trust me, don’t do this.

After 5 overdye attempts, I think I finally hit on a batch that hopefully will work!

Gray silk gauze strips

Gray silk gauze strips

 

You Are Here

November 6, 2011

I finally got my camera situation fixed so I can post about the newest piece I’m working on. I decided I wanted to explore more ways to  manipulate and layer dyed silk gauze. I love the subtle shifts in color and value when it’s folded or pleated and the wonderfully organic serendipitous edges that are created when ironing it down.

But I knew doing this on a larger scale was going to take me into Technical Difficulties. Which it has. But I’ve perservered. Here’s the working sketch for this piece:

"You Are Here" working sketch

"You Are Here" working sketch

I first acid dyed yards of silk gauze in gradations of gray and blue gray. I have since overdyed some of the fabric with setacolor to tone some of it down.
Here’s a peek at a detail of the work in progress:

You Are Here-in progress 1

You Are Here-in progress 1

I’ll post more soon about my inspiration behind this design.

Nailed it!

October 9, 2011

I looked forward to my Artist Talk last Thursday evening at the Brattleboro Museum with a mixture of excitement and dread-mostly excitement. The process of creating and organizing a slide show that would best allow me to explain my process was daunting but valuable. Being forced to articulate my somewhat meandering creative process was a healthy exercise and actually gave me some new perspective on my work.
How and why does a series get started and continue? What about cellular imagery fires up my imagination? How do I put these babies together?

Before the talk-me on the right.

Before the talk-me on the right.

It was a full house which made me happy. Once I got started, I relaxed and was able to enjoy the experience! It helped to get a few initial laughs (you’d think I was a stand up comic-but that’s how I was raised…humor is important).

During the talk

During the talk

Lots of great questions from the audience which included students from a local college fiber arts class!

Viewing the exhibit

Viewing the exhibit

So very pleased with the whole experience!

Seed Dreaming III-done

April 17, 2011

Finished and photoed (by Laurie Indenbaum).

What do you think?

Seed Dreaming III

Seed Dreaming III

Here’s a closer look:

Seed Dreaming III  detail

Seed Dreaming III detail

A closer look at Seed Dreaming II

February 12, 2011

This continues a series focused on the Australian aboriginal notion that the “plant is the dream of the seed”.
While making this piece, I explored some new areas (for me) in construction and composition. After lots of sketches that played with the placement of the seed shape on a larger background I settled on having it curving up at the bottom. Getting the compositional balance to work was tricky.

Seed Dreaming II

Seed Dreaming II

Each section of the “seed” was separately built on its own piece of Warm and Natural batting. They were then  attached onto the blue silk covered “seed” shaped piece of batting. After the “seed” had all its stitching and couching (and cussing at mistakes and subsequent repairs) done, it had to be attached to the full size blue silk over cotton cord covered background.

Seed Dreaming II (detail)

Seed Dreaming II (detail)

By this point it had a bit of heft to it! So successfully hand stitching it securely down was a challenge for my not always up to snuff sewing skills. Once that was done, the background details-green silk cilia, pale blue dreamy shapes and hand stitching- were added.
The finished piece is 30″w x 34″h.

(photos by Laurie Indenbaum)

Seed Dreaming II is done

February 1, 2011

The blizzard has delayed getting this to my wonderful photographer, Laurie Indenbaum, for professional shooting so I took this picture where it hangs now in my living room.

Seed Dreaming II

Seed Dreaming II

Yes, my walls are that color (and other saturated colors). My husband says it’s like living in my artwork. I think he means that in a good way.

I’m very happy with this piece. It was tricky compositionally and the construction was a challenge with all the 3-d elements. I’m really loving working with the rich dyed colors and luscious feel of silk charmuese-and its nap shifts the colors slightly when you move past.
Hopefully I’ll have better photos in a few days that will show details that are lost in this picture.

Any feedback?

Experimenting with depth and texture

December 7, 2010

On my newest piece, Seed Dreaming I, I tried different ways of creating raised  ridges. I wanted  more 3D lines sharply defined by light and shadow. I’m happy with the result!

Seed Dreaming I

Seed Dreaming I

I glued cotton cording onto the batting. After painting a large piece of  silk with acrylic gray tones, I carefully fused it onto the batting.  I love the deep shadows and the contrast of the almost industrial gray and the vibrant charmeuse “seed”.

The title, by the way, is from a phrase I read years ago explaining the aboriginal belief that “the plant is the dream of the seed”.  Something about that speaks to me.

Working Small

August 14, 2010

I’ll be part of the Brattleboro West Arts Studio Tour on September 25th-26th and it’s zooming up fast so I’m trying to get more organized. I decided I want to have a group of smaller mounted pieces to sell and have been focusing on creating them and finally figuring out an effective way to mount them.

Here’s one. The mounted size is 8″x10″.

new small work

new small work

My solution is to cover foam core (cut to a standard frame size) with low loft batting and black nubbly silk (Thank you Judy Dales for the suggestion). I pull it to the back, try to make neat corners and secure the silk with acid free linen tape.

I then blind stitch the small piece to the front and try not to get blood on it from all the needle stabbings. I procured a curved needle today and hope this will cut down on the bloodshed.

Other ideas?


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