Archive for May, 2010

Fundamental Change IV-part 5

May 30, 2010

Recently, I’ve been on a roll with this piece and didn’t stop to take process photos till now. Sorry.

Here’s how it looks on my design wall today. It’s about 3/4 finished.

Fundamental Change IV-in process-step 5

Deciding what color and texture to make the line defining the outside edge of the cell was a bear! I auditioned many fabrics over several days. I often feel lots of self-doubt during this kind of process. Maybe I’ll never find the right color. Maybe the original design is too flawed. Maybe I just lost whatever guided my choices in the past. I got discouraged.

Then one day on a whim, I held up this piece of yummy iridescent yellow green silk.

pt-5-detail

Bam! This was it! A totally different colorway than I had been trying. Woo hoo. I was charged up again!

Then came days of trying out lots of ways to attach this silk to create the kind of organic feeling, sinuous line I wanted. I ended up using narrow beautifully fraying strips, wrapped in thread and hand couched down with a reddish perl cotton. Thee will more added to those lines later.

I wanted the blue elements to shift from darker to light and seen to float up, jostling for space and emerging from the gap. It wasn’t easy.

I first filled the space too tightly and had to repeatedly tweak the gradation of color. I’m pretty happy with it now though more may be still added.

I’ve begun to add orange to gold french knots in the center of the blue elements. I discovered (after serveral years of ownership!) that my wonderful Janome 6500 has a french knot stitch! My fingertips are VERY happy not to be pushing needles through many layers of fused fabric.

Vermont “State of Craft”

May 23, 2010

As one of the  Vermont artists invited to be a part of the Bennington Museum’s State of Craft show, I was able to schmooze with the other artists and guests at the crowded opening last night. I’m not a big schmoozer (kinda shy) but I was able to make a few real connections with some other artists that made the trip worthwhile. This show is  an attempt to represent and honor the “studio crafts movement” in Vermont.
The piece of mine that the curators selected was “The Spaces Between V”.  It was hung against a lovely stone faced wall.

The Spaces Between V at the State of Craft exhibit

There was some amazing work here- fiber, glass, wood, ceramics and mixed media. The full size chaise lounge constructed of welded together quarters is worth the trip alone!  I recommend it to anyone within range of southwestern Vermont.

Fundamental Change IV-part 4

May 14, 2010

The large cellular shapes that were defined by couched yarn needed innards. Usually I’d put in one large organic shape in each space and stitch. But I wanted something different here. I wanted to communicate complexity and movement within these larger cell shapes. Real cells are filled with countless discrete parts that each have specific jobs. But I didn’t want to end up with a cacophony of busy-ness.

After MUCH experimenting and trying and rejecting shapes and colors, I settled on this.

Fundamental Change IV-pt-4-in process

Here’s a close up.

Fundamental Change IV-pt-4-detail in process

I had a satisfying time cutting into these yummy silks and playing with shape and placement. Can’t ask for more than that!

Fundamental Change IV-part 3

May 5, 2010

Using tailor’s chalk (wipes off with water if you don’t forget and iron on it first -I’m an expert on this point), I drew the large cellular shapes from the drawing onto the background cloth making lots of adjustments along the way. For example, I felt there needed to be an entry space at the bottom between the large shapes. The story in my head about this series involves small organic stuff moving through a space and being transformed in some way. So I wanted it to be flowing up from below.

I decided to use a rust/russet/ gold variegated yarn I’d bought years ago to define the outer part of the translucent area of each shape. I couched the yarn down stitching with a rust colored thread.

Fundamental Change IV cellular shapes on

Fundamental Change IV- part 2

May 2, 2010

The original sketch:

Fundamental Change IV original sketch

Messy. I know. This went through lots of revisions, many not erased very well. At this stage, I’m just trying to settle on an overall composition that I can then play with further on the design wall. The large cellular shapes needed to fit together in a flowing way that also created lovely negative space between them. I also wasn’t sure at this point whether I wanted those large shapes to be solid OR to have a solid core/nucleus with translucent space around that defined by lines.

But after I stitched around the serendititous shapes left by the migrating paint on  the background kona cotton piece (see previous post), I knew I wanted more of those organic stitch lines to show. So I’ve decided to have translucent areas around solid cores. Next job is to decide how  to define that outer area of each cell shape. To be continued…


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